Tumelo Kepadisa Career<\/span><\/h2>\nHis career took off in 2005 with his debut album Mafoko a me. This was the album that earned Tuks the Best Hip Hop Album Award at the 12th Annual MTN South African Music Awards (SAMA).<\/p>\nTuks Senganga (as he is known by fans in all corners of the globe) started writing poetry at the age of 12 having drawn his inspiration from his daily experiences of having grown up in the Bophutatswana homeland during the apartheid regime which was later re-established as the North West Province in South Africa. However, it was in high school that he started harnessing his hip hop skills, at a time when Hip Hop was still a taboo in South Africa.<\/p>\nTumelo Kepadisa<\/h1>\n<\/span>Mafoko A Me<\/i><\/span><\/h3>\nIn 2005, with the rise and rise of the Motswako movement, arrived with the now classic debut from Tuks which was titled .Mafoko A Me<\/i>\u00a0(My Words). The album had already received major reviews and a number of singles had been on high rotation on all national radio stations before its release.\u00a0Mafoko A Me<\/i>\u00a0went on to win Tuks his first\u00a0SAMA\u00a0for Best Hip Hop Album.<\/p>\n<\/span>MC Prayer<\/i><\/span><\/h3>\nIn 2006 he released his sophomore\u00a0MC Prayer<\/i>\u00a0which was certified gold four months after its release. The production style and quality was leaps ahead of\u00a0Mafoko A Me<\/i>\u00a0and the leading single \u201cMonate Thwa\u201d saw the album flying off shelves, and another\u00a0SAMA\u00a0nod in the form of a nomination for the Best Hip Hop album and a Metro FM Award win tagged along on Tuks\u2019 journey as a respected hip hop lyricist.<\/p>\n<\/span>Monopoly<\/i><\/span><\/h3>\nHe took a two-year break from the industry to work on his business interests and came back in 2008 with the thought-provoking third offering,\u00a0Monopoly<\/i>\u00a0which was influenced by several conspiracy theory documentaries. In his story-telling form, he goes on to say\u00a0: \u201cThere is something wrong with the world and the way that people are controlled by the media, by music, belief systems and by religion\u201d, he adds \u201cthis album is ear-friendly, with a pinch of the truth. It\u2019s not about the industry. I\u2019m taking it a step further. I\u2019m talking about the faces behind the industry\u201d. With the two-year break that he took, he started working on his own record label, June\/July Productions.<\/p>\n
The company was founded in 2004 and has done wonders for the budding business man and Tuks now runs his own artist and Events Management, communications, Publishing and music production house and released\u00a0Monopoly<\/i>, his third album under June\/July Productions, partnered with\u00a0EMI\u00a0records. The album went on to win him three awards: Metro FM Music Award (Best Hip Hop Album); Hype Magazine Hip Hop Awards (Best Album); Hype Magazine Hip Hop Awards (Best Solo Artist).<\/p>\n<\/span>Tshwanelo<\/i><\/span><\/h3>\nIn 2010, he independently released\u00a0Tshwanelo<\/i>\u00a0which was a big shift from the sounds that we had been accustomed to, from Tuks. Its leading single, which is also the album title, topped charts across the country before the album availed itself to the public and once again saw Tuks standing his ground as a solid Hip Hop artist in South Africa. An even bigger single, \u201cLet Me Live\u201d found its way into the hearts of even Gospel fans. Tshwanelo was nominated for the 17th edition (2011) of\u00a0South African Music Awards\u00a0and Metro FM awards 2011 Edition.<\/p>\n